About the Artist
Matt Derbidge is an abstract-focused artist out of Boise, Idaho. He has crafted his own style over roughly twenty years of work, carving out a unique blend of lines, shapes, and dots. Matt's style focuses on densely packed lines and flowing shapes and forms that coalesce into one unique piece.
Matt's earliest influence was a close friend growing up who had a passion for drawing creatures and characters in pen, the kind of work Matt could only dream of creating at the time. That medium imprinted on him. He respected and admired that with pen, there's only one chance to get it right, no going back. That forward-focused approach has helped Matt push through daunting art projects ever since.
Matt has no real formal training in the style of art he now creates. It comes from the heart, or somewhere else. Matt is simply a conduit for this art, it flows through him and onto the page.
Matt's process is about experimentation and freedom. He rarely starts with a formalized plan, often just a semblance of an idea before he gets to work. The rest comes together as he goes.
Matt's criteria for a finished piece is simple: is this something I'd display on my own wall at home, proudly? If it makes that cut, it's shown to all.
Roots & Recognition
Exhibitions
Matt's work has been shown at:
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Nampa Festival of the Arts Juried Show, Nampa, Idaho
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Art by the River, Star, Idaho
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Summer Arts Festival, Roseburg, Oregon
Recognition
Across multiple entries at the Nampa Festival of the Arts Juried Show, judged by a professional panel, Matt has received:
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Gold Ribbon - Birthday Mandala 2021
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Bronze Ribbon, for Evolution, 2018
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Honorable Mention - 2019
Influences
Matt draws from a handful of artists who shaped how he sees line and form. Jackson Pollock taught him that chaos can still be controlled. Salvador Dalí showed him that logic doesn't have to make sense to feel true. M.C. Escher proved that impossible things can still look inevitable on paper. Rembrandt and Gustave Doré brought the density and drama that still show up in Matt's linework today. None of it was studied formally, it was absorbed simply by looking, and admiring, and letting it work its way into the pen.